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Analysis Of Northern Shaanxi Shi Lu Landscapes Themes

Posted on:2011-01-01Degree:MasterType:Thesis
Country:ChinaCandidate:H H BaiFull Text:PDF
GTID:2155360308482389Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
This article is based on the plateau of northern Shaanxi Shi Lu, and his painting subject matter as the main theme of the artistic and ideological revolution in the text. By Shi Lu of the Loess Plateau material as the full text of the preamble paintings to demonstrate the performance of Shi Lu to create a unique performance of the plateau of northern Shaanxi language arts course, and its plateau of northern Shaanxi formation of elements of painting language. This paper analyzes the plateau of northern Shaanxi Shi Lu painting language (ink languages, schema languages, set color language, etc.) at the same time, combined with the geomorphological and geological plateau of northern Shaanxi, to prove Shi Lu paintings created by the language of northern Shaanxi, geographical uniqueness, and typical. Without a doubt, the plateau of northern Shaanxi Shi Lu painting language pairs in northern Shaanxi in the field, texture of the most vivid expression of the performance of language do not look like this elegant, ethereal, elegant, on the contrary, they have taken forceful language to write a piece of broad, Cang thick, pristine land, but also the plateau in northern Shaanxi is the real highlight of their own spirit. Plateau in northern Shaanxi Shi Lu successful creation of the painting are now developments in the field of contemporary painting has a very far-reaching significance, he deserves to be called "Chang'an school of painting," pioneer, has enriched the Chinese ink painting ink expressive language, which is modern and contemporary art workers the creation of context in the landscape should be the utmost respect and learning.
Keywords/Search Tags:Shi Lu, tradition, quercus liaotungensis, presentational language
PDF Full Text Request
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