The Study Of Shepherd Image In The Contemporary Age Of Inner-Mongolia Oil Painting Works

Because of its geographic differences in environment and human ecology, human beings created out of various regional cultures, which are the artistic culture and its diversity and vitality. Once the formation of a culture it will deeply affect people's consciousness, thinking, behavior and other areas, people created a culture, and culture shape the people. Turning to oil painting in Inner Mongolia can be said that geographical environment with the grasslands and in this piece of prairie thrive from generation to generation with the pastor and, in this magical land, the formation of nomadic culture are inextricably linked. Inner Mongolia, a vast territory of the grassland culture with a broad spirit of theIt was a long history and profound cultural accumulation of Inner Mongolia, artists'rich source of creativity. Art as an ideology, it is a dynamic real-life artists, the aesthetic to re-creation. Mongolia has a long history and splendid culture, in this long history they created out of people for generations have been tracing, sung in a deep and thick nomadic culture. Mongolian Plateau harsh living environment and extensive cultural patterns of the nomadic Mongols created a frank, uninhibited, kind and simple character, but also make them with the limitless expanse of grassland; Mercedes-Benz of horses, white frankincense fluttering, milk tea, melodious voice became an important part of Mongolian culture. These are the artists'inexhaustible source of art.Oil development in Inner Mongolia has more than 60 years of history, through the efforts of several generations of artists, and gradually formed a strong national characteristic of the painting patterns and strong regional characteristics. Although styles vary, but the painting motifs are derived from the steppe, from the simplicity of grassland habitat for generations shepherd life. Several generations of artists are trying to tap the screen where the image of the careful shaping of the pastoral and spiritual dimensions of deep expression. Study of Inner Mongolia, the image of oil painting in the content and form of pastoral, spiritual and aesthetic to explore the inherent law of the development process is the main content of this article.