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On The Formal Language Of Chinese Decorative Painting In Two - Dimensional Space

Posted on:2013-01-08Degree:MasterType:Thesis
Country:ChinaCandidate:Y ZhangFull Text:PDF
GTID:2175330395484392Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Along with the social civilization’s progress development,comprehensively has also launched while economic globalization’s artculture’s globalization’s upsurge. The decoration painting takesthe ancient artistic form gradual trend to be also prosperous, theartistic progress and the development, are the multiplex cultureseepage, the fusion, form new new gradually, forms the new uniqueformal language. For example China’s tang dynasty tricolored glazedpottery, is the area south of Yellow River area culture, the nationalminority culture and the external cultural fusion product, themultiplex culture mixes together, the collision is the artisticdevelopment formidable propelling force. We must use this timesuperiority fully, China national characteristics’s decorationdrawing will inherit and develops. The Chinese decoration drawingChina traditional culture influence, has unique artistic language art,if utilizes it in the modern decoration drawing creation to inheritit and to develop, the creation draws up the unabridged book nationalculture to face the world the outstanding works, that will be anddevelops to this national culture inheritance. Until now, thedecorative art was still in the human art manifestation is most common,but correlation theories research actually weakness very, therefore,studies the Chinese characteristic decoration formal language thisis the selected topic which is worth studying.
Keywords/Search Tags:Decoration drawing, Formal language, culture connotation, Propitious
PDF Full Text Request
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