Erhu, is a traditional Chinese Musical Instruments on behalf of, isChina’s most influential bowed instrument, from the earliest the prototype ofthe XiQin-was born today, for thousands of years. From his early descends, tothe present art-house type of elegant musical instrument, the erhu performingarts development and improvement will it gradually to the art show the centerof the stage, also make the erhu on modern Chinese art history becomeunique ethnic Musical Instruments.This paper will be based on my years of playing experience and learningresearch, three parts discussed: the first part of a relationship with the law hasto the law as the foundation, WaiXian within the influence of fingering forplaying the music of tone, change argument will express as erhu left handtechniques in selection and application to discuss; The second part focuses onanalysis in modern Chinese works from the rational use of principles andrules characteristics. The third part will be based on the use of natural lawand rules of erhu professional teaching some of the issues on thinking. Thesequestions to ask and to solve of, is all my years of study and practiceexperience, is through a lot of research and stage that the practice method andthe conclusion, the hope can give more erhu study wearing bring allenlightenment for the erhu in application of fingering the theoreticalconstruction of cast in a drill bit of jade lead role. |