The Dialogue Between Guqin And Piano - A Study On The Adaptation Of Three Guqin 's Adapted Piano

The guqin reorganization tune is a important part of Chinese piano musiccreation，this article selects three guqin reorganization tune “Liu Shui",“Mei Hua SanNong",“Yang Guan San Die " carries on the analysis,reorganization tune theenlightenment which brings to the modern ancient qin tune reorganization andcreation, hoping to bootstrap the piano performer performs these three works well andenlightenment which brings to modern ancient qin tune reorganization creation.This article through analyzing “Liu Shui",“Mei Hua San Nong" and “Yang GuanSan Die" these three ancient qin tune reorganization piano musics performancecharacteristics, summarizes some piano reorganization.Mainly includes the guqinovertone and according to the sound, disperses the sound and “Yin” and “Nao” and“Chuo” and “Zhu” and “Qia” and “Cuo"" and “Gun Fu " and other timbres andtechnique processes on the piano.At the same time, this article has analyzed the pianomusic to the ancient qin tune musical form structure and accent，pointed out thatpiano reorganization tune in the metre, dynamics and music wove the body aspect theexpansion innovation to enrich and to develop the original ancient qin tune musicalspeech enormously and music structure.Simultaneously points out the performer whenplaying the piano reorganization tune both must preserve the ancient qin tune the idealcondition, and must the guqin " overtones " embodiment, unfolds with piano’s musicalspeech guqin’s.