On The Inheritance And Evolution Of Ni - Zan 's Landscape Paintings By

Han’s people in Yuan dynasty and Qing dynasty were ruled by other nations, thus Han’s status was low, especially those literati, whose aspirations can’t be realize, as a result their moodarose spontaneously. A lot of literati chose to abandon from the politics to mountain forests andstreams by the form of painting to express emotion in the heart all day long. It’s because ofspecial time background and life experiences, a group of outstanding landscape painter weresuccessfully produced, like “Yuan Si Jia” and “The Four Monks of Early Qing”, they representthe peak of the Yuan dynasty and Qing dynasty landscape painting. Ni Zan and BadaShanren(following referred to as “BaDa”)have great similarities no matter in the life experienceand thought experience by chance. After studying the two painters’ paintings, the auther thinksthat there is a resonance between them. In the landscape painting of the Bada Shanren, we cansee a lot of the shadow of the Ni Zan’s picture, this is inseparable with their studying oflandscape paintings. Between Bada Shanren and Ni Zan coexists in painting arts scross more300years of history, Dong Qichang plays an important role in the middle.Bada Shanren and Ni Zan are two influential painters in Yuan and Qing dynasties, and theirinnovative and artistic achievements have far-reaching influence on later generations.Throughoutthe Bada Shanren’s retained landscape paintings, there are a number of them are imitation of NiZan’s works, from this point we can directly find that Bada Shanren, to a certain extent, hadlearned the style from the Ni Zan’s landscape. It is worth noting that the Bada Shanren did notcompletely copied, but changed into a creative means, showing a landscape painting with adifferent style of interest. Bada Shanren developed the landscape to a new peak.The analysis carries on, summarize the comparison the similarities and differences betweentwo from experience, painting style and the aesthetics of the two, and then analyzes and researchthe relationship between inner bearing chang.The first part mainly discusses the Bada Shanrenlandscape painting from the root cause of lead to Bada Shanren learning NiZan’s landscapepainting origin.The second part is about the artistic features of the Bada Shanren and NiZan toconduct a comprehensive analysis of the third part. In the third part of this artical, the authorsummarizes the similarities and differents, there is a discover that the two landscape paitingshave a same face–simple, light, air, really, and vividly express the painting ideas of “Tao andZen in the picture”. In addition, due to the identities of the difference of background, they revealtheir respective characteristics in the emotional, next focuses on analying and researching thetopic that Bada Shanren has learned and developed Ni Zan’s mountain painting on techniquesand thoughts. Bada Shanren pursuits the “escape” and styled composition of Ni Zan’s pictures,and translates the lines and magnets from quiet to move. In the fourth part, the author mainly talks about the re-cognitions of inheritance and innovation, as well as the enlightenment toteaching of currectly landscape painting. It is helpful for the author to practice teaching work andpainting creation.