"Water" And Its Historical Position In The Tang And Song Dynasties

"Water" as an important object in life, life, appear very early on practical forms, and in tang become the protagonist in the landscape painting.Practical implements "water", in the form of grain, and continuous development in different historical periods. Ma jia’s painted pottery kiln culture such as the early neolithic period, water ripple bowl has been vortex lines, wave, water ripple, its pen line is fluent, design the layout of the organization are quite strict. West part, zhou bronzes waves, which has been like a father plates, Feng you, Qiao you, Meng gui, Jing gui.etc. Qin and Han dynasties, painted pottery and primitive celadon, water ripple as a major grain. The eastern Han dynasty, three kingdoms and the western jin dynasty celadon, still popular water ripple. Sui and tang dynasties, the water ripples as edging ceramics appear constantly, such as green glaze big bottle, celadon phoenix in the first pot, peacock sycee boxes, etc. Song, Yuan, Ming and Qing period, a large number of water ripple applied in all kinds of artifacts, have a plenty of appear as patterns of the theme, such as song dynasty on Jizhouyao China water color brown water lines; More of a background with other patterns into the new pattern, such as the song dynasty kiln kiln, yao states out of the water, sea water fish lines, etc. In the Ming dynasty blue and white sea plum flower grain bell cup waves, majestic."Water" in the history of landscape painting is an integral part of leading role, not only drawing is diversiform, and constantly enrich and develop. Based on the tang, five dynasties and the south in the northern song dynasty landscape painting of "water", the drawing of water as the research object, analyses its historical features, and evaluate its important historical position in the landscape painting. Landscape painter in the tang dynasty Li Sixun, Li zhao dao, Zhangzao has a far-reaching influence on the development of landscape painting after water. Five dynasties and ten states, draw water gradually increased, the technique’also began to more and more mature, Zhaogan, Dongyuan, Jinghao, Guantong these four in the water can not be ignored in the history of landscape painting of key figures in the process of drawing water for later generations to make a large contribution. Two song period, draw water all emerge in endlessly, northern song dynasty painting water home Guo xi, Juran, later, licheng, Fankuan etc, their observation of the water nuanced. These of the southern song dynasty, Mayuan describing water diagram. Through to the tang five dynasties and the song period of the water collection of and study it, after the people can get wisdom and inspiration of thought and emotion obtain techniques and unique personality, so as to find a new kind of painting. And prove to people that not allow to ignore to the role of water in the Chinese landscape painting in the picture, also let us see the progress of The Times.