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On The Characterization Of Gilda 's Character In The Verdi' S Opera

Posted on:2015-05-03Degree:MasterType:Thesis
Country:ChinaCandidate:L ChenFull Text:PDF
GTID:2175330434451365Subject:Music
Abstract/Summary:PDF Full Text Request
Verdi as a peak in nineteenth Century Italy opera creation, works from "troubadour"(1853),"Rigoletto","La Traviata"(1853),"Aida"(1871) the most representative interim works, relative to their most early Song cast goods, his achievements in the opera characters inner activities and characters has a more detailed description and clear, relative to other opera composers in the figures, more personalized. For example, the opera "Rigoletto" in Li Golay drag, is the hero of the play, but is not a people accustomed to the hero. He is a foreign trade act bad but ugly daughter loved contradictions body image and. Verdi with distinctive characters subject motivation influence each other interweave development, do the creative limitations to break the "song" to make smooth reading, music. The topic theory significance:through the Verdi opera "Rigoletto" actress Gilda characters and the character and singing skills of analysis, based on the analysis of the hero concert performances to further characterize the two degree creation deep relationship between expression of music works of Verdi Jester in creation and characters in the. The deep relationship between two degree creation expression from the understanding of music works of Verdi’s creation and figures in perspective, plays a positive role on the relationship between the creation and performance of opera. This thesis discusses the specific content in Verdi opera "Rigoletto", actress Gilda and spectral surface creation based on the work, in order to fully understanding and exploration, process and performance of vocal learning play a helpful role, especially for the soprano singing methods and skills in singing coloratura., which has a certain reference value. In the analysis of substantial Western opera creation research, the role of two degree creation at the same time, also to a certain extent, enriches the research results of our understanding of Western opera creation, to expand the study of vocal music, singing and teaching to the direction of. Through the study in order to understand the Verdi opera, concerts aspects results put forward clear insights into the improvement for the singer’s singing skills and performance, i.e. to control breath to control the sound so that performance burden free table dropped voice now. In this paper, based on the composer Verdi works "Rigoletto", actress Gilda from the detailed analysis of the technology, on the understanding of the characters and aria, refines the opera building at the height of the characters of the mentality and character. To study the process of the creation of Verdi’s life and the opera "Rigoletto" of the singers in the concert, can make the process to express the overall grasp and the role of emotion plays an extremely important role.
Keywords/Search Tags:Opera, Verdi, Rigoletto, Gilda, Aria analysis and singing
PDF Full Text Request
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