Reflections On The Artistic Language Of Chinese Contemporary Printmaking

Sui and tang dynasties era, Chinese print belongs to the art of the era, new things, in the contemporary art today, in the form of Chinese print art has become a form of edge. Art of the morphology and the change of language form has been updated, the development of Chinese engraving art has entered an unprecedented predicament. The cause of the plight of Chinese contemporary printmaking:China’s art theory and the attention of critics on Chinese engravings bottom, there is no systematic analysis and demonstration of the difficulties faced by engraving and developing direction. In China’s print mistaking infatuation for materials and techniques that make prints language conversion.similar problems I met in the engraving, to analyze the current situation of Chinese contemporary printmaking and thinking, also in the context of contemporary art, the Chinese contemporary printmaking the possibility and necessity of language transformation. How to adapt to the contemporary art context, how to successfully counter attack, from the Angle of artistic language, deep thinking and exploration, eliminate the barriers of the concept of art itself, dispelling printmaking language limitations, expand engraving art language form.Based on the contemporary art, art language and context analysis. This paper points out that the engraving want to consider the time spirit and the spirit of this age, at the same time to respect the spirit of the reality of self expression. Many prints graduate artists in different artistic fields, constantly extends artistic media, engaged in oil painting, new media, and other media devices for contemporary art creation, was a great success. In the era of the rapid development of the global village, there is no the information barriers, the development requirements of the discipline and transparency of information, and is easy to get sex make discipline intersection fusion between major characteristics of The Times. Beyond thinking of ontology and the diversity of artistic language thinking has become the trend of the development of Chinese engraving art, is also a whole appearance in the development of contemporary art. Artistic language of cross-border thinking and exploration for the print provides an unprecedented, a new environment and the fusion of art form of thinking. Starting from the crossover, the conversion of artistic language and expand, in a diverse and language form and transformation of media, multidisciplinary new. Only in this way can print in the context of contemporary art to find position in contemporary art, to adapt to the requirements of The Times, the real from traditional to contemporary.