On The Representation And Application Of Selective Colors In Landscape Oil Painting

In this article, by the French painter Klein, a German painter Gerhard Richteron artistic works, Chinese painter Wu and Zhang’s analysis, he elaborated selectivecolor of painting and artistic contributions. It discusses the feasibility ofselective color study under the direction of the author of the selective use of colorin the painting practice and learn from the successful experience of the previouspremise.Many artists are studying abroad monochromatic color painting, and to get a stagesuccess, and I put a selective use of color to Chinese landscape painting in thisarea of expertise, and through the creation of graduate deepening practice threeyears, the accumulation a number of selective color painting style paintings, bystudying the language of color-selective color, to express my inner world.I used the color-selective expression of this way of painting the inner world,the limitations of the use of color to convey the emotions of my heart, selectivecolor to become the epitome of my inner world. Looking at cold and warm tones ofself, self-expression, so selective color focus of my study. I use selective colorto find my research on landscape painting, to express my inner world of emotionsand fickle mood in landscape paintings.