On The Rationality Of Alto 's Drama Theory From Contemporary

French playwright Antonin- Alto was hailed as the "20th century France theatrical circles generation wizards, alto this with a usually genius and" Crazy "common sensitive, from his non reasoning, fuzzy intuition telescope in peep of the dramatic images of the future, and made a prophecy that the world. And this crazy man with the irrational and irrational intertwined also for the concert of the practice to make a more systematic theoretical interpretation. Its theory spans drama and concert, and its theory transcends the limitation of time, from the era of drama to the concert time. The influence of Arad theory, the predictability, the guidance and the importance cannot be ignored. This paper is to prove that Arad’s four point theory is " ceremony ", " field ", " material language " and " performance necessity " for the correct guidance of the practice of the concert. In the drama field, Arad theory is the lead of drama practice, and the concert practice is the proof of Arad theory. First concert with ceremony, claiming that the recovery in the course of the performance of religious and mysterious, maintained that the drama should scene with excitement, direct for the audience’s sensitive nerve, caused by shock the audience appeal. l. Secondly, the concert has the scene. Arad lives with a sense of " Dionysian spirit " peak experience, and Carnival are connected with the soul. Aalto’s theory, ceremony and the scene of mutual integration, and for the concert scene is in the age of the Internet developed abnormal exists today as an important reason; the site is to attract the audience’s secret weapon. Again, singing " material of language is the " teaser ideographic " important means, the costumes, makeup, lighting and so on are language material, sang the song as foil. Last concert is "inevitable", in concert with the inevitability and Alto performance inevitability are interlinked, human in life encounter all sorts of confusion or loss. Songs may is such helpless, this inevitability. It may also be in this necessity to find another one that is both hard and struggling. But the performance of the concert is likely to be cruel or "good", but no matter what is inevitable, is the inevitable performance of the inevitable. Marilyn Manson concert is evidenced by the rationality of Arad theory. Arad theory is the theory of the time and practice test, from the drama field and the field of the concert proved the rationality of its theory.