A Study On Modern Forms Of Ink Paintings

The form of painting language, it is through various means of plastic arts, to express the author’s a kind of language form of creation intention. Mastering art of the language form of creation for every artist is crucial. Directly reflect the vitality of works, power, control of formal language proficiency, relates to the success and failure of the entire work. The purpose of this study, According to research the form of modern Chinese ink portrait painting language, deeply explore the Chinese contemporary ink portrait painting, attempting at an analysis of diversification development of Chinese ink portrait painting.In this paper, Chinese ink portrait painting as the main object of analysis, combined with the representative painters of the typical works, to make a brief about the characteristics of the contemporary ink figure painting form of modern language. Thesis is divided into four parts: the first part introduces the development of traditional Chinese ink portrait painting forms of the language course. The second part mainly analyzes the characteristics of the contemporary form of Chinese ink portrait painting language, including the composition, shape, color, pen and ink form and so on. The third part probes into the causes of contemporary ink portrait painting forms. The fourth part is the author’s creative practice, for example, to thinking the ink portrait painting language form of innovation. Finally, it is the full text of the summary and make the conclusion. As a new era of art workers, we should be sensitive to understand spirit of the contemporary society. Keeping up with the peace of the times, and have the courage to innovation, Promoting the diversification which is the language forms of ink painting,and promoting the ink portrait painting in the new era to inherit and develop.