The Influence Of Chinese Traditional Painting On My Vision

Chinese traditional painting in thought resources and schema technique is massive. As a Chinese artist especially young artists we are standing on the shoulders of giants of the generation, the excellent traditional culture need we found, inheritance and development. I insist to stand in the perspective of modern people up, we choose the suitable for his creation of the traditional elements of the painting, and rooted in the daily activities of real personal experience, the traditional painting elements into his own visual language, this is my visual language of one of the most important tasks in the exploration, exploration is to let their own cultural identity appeared, and also give the paintings in the visual has a strong oriental visual language symbols is different. Standing at the time clue of the development of Chinese contemporary art, in the "85 new tide", the western modern art has gradually into the domestic, contemporary artists in China western hundreds of years gradually appear a variety of doctrine in the domestic re interpretation again, its purpose is mainly the stripping skin of political, closer to the painting for the essence of the vision. Provides a living example works during this period artists to create the so-called "pioneer" despite rough or of western style painting in gourd ladle, but its influence to force is profound, still being talked about, and the elements of Chinese traditional idea and painting began to combine with contemporary art and Chinese artists will inject the Oriental temperament to the works, which also our new generation of artists. Facts have proved that the contemporary art of China can also "international". China has thousands of years of history of culture, from ancient to modern do not have fracture, cultural development of the continuous and complete, forming a unique Chinese culture temperament and ways of thinking and visual form. With the continuous influx of Western Contemporary Art and the art market is becoming more and more perfect, fashion tide is blustery, young artists especially after 8090 artists is at the cusp, in Western art creating thought also in constant collision, fusion, the choice of again and again to challenge my visual, tactile, auditory, open the door of our imagination. Chinese and Western culture of "harmony without uniformity", I was more concerned that "different" level, because this "different" is also show our cultural identity and in the face of the impact of western visual art the benchmark to judge some of their own culture. In the global contemporary art big theatre, we also started the contemporary prelude, its theater background is us several thousand years continue to be different from the western painting visual art resources.In the contemporary context, we are living in is a complicated and changeable environment, people accept information far more than in any previous era, in this environment, I think bear the brunt of the paintings should be true of individual experience and visual presentation, personal experience and the visual form of the perfect combination can lead us to a painting of a spiritual. The exploration of personal experience and visual form is a dynamic process, which needs to be expressed and expressed.. This paper will from some aspects of the traditional painting that I pay more attention to the characteristics of and combined with the experience of creation itself to talk about my visual language exploration. At the same time, it is for the future creation of bedding good theoretical basis, also hope that through the comb can have a better understanding of Chinese traditional painting and contemporary art.