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A Brief Introduction To Huang Shouwang 's Shallow Shallow Landscape Painting

Posted on:2016-07-05Degree:MasterType:Thesis
Country:ChinaCandidate:Q N YuanFull Text:PDF
GTID:2175330473460702Subject:Art
Abstract/Summary:PDF Full Text Request
In the ancient painting, a painting or color and paint colors coherent call many. Such as "heavy colors", "heavy coloring", "stone", "light colors", "light colored", "pale purple", but they do not clearly distinguish and definition. It is fuzzy in painting application, by the feeling, even we often use "green" and "shallow drop" is also true.The most gorgeous attributed to plain. In the works of ancient color of landscape painting, so is the. In the Jin and Tang as the boundary, the previous landscape painting is the main green life style. With the development of the Song dynasty literati painting movement led by Su Shi and the advancement, has undergone tremendous changes men of literature and writing their aesthetic taste, to ink based shallow colors or pale purple landscape painting gradually boarded history stage, has become an important form of Chinese landscape painting creation the light purple colors the earliest born out of green, the colors in the ink painting gradually on the basis of complete to a transformation of small and green colors, light colors, and formed a new in order to be different with time tag the light purple landscapes in the literati ink landscape based on.Article entirely from the perspective of colors, In Huang Gong Wang’s shallow red landscape as the breakthrough point to the light Crimson coloring we can not fail to mention that the light purple green, the two in the use of it is not clearly defined, the director always mutual reference of complement. In this paper, through the green landscape and shallow red landscape and the relationship between the ancient treatise and representative works to elucidate the light purple colors influence on later generations of landscape painting and the inspirationThis paper consists of five parts:Chapter one:introduction. This chapter from the three aspects of the status quo research purpose, research methods and the significance of the topic and outline.The second chapter:the formation of color Chinese landscape painting view. This chapter describes the "colorful Shi chapter", "color to color profile","with the kind of color" the three traditional color view and its effects on landscape painting colors.The third chapter:the formation and establishment of the light purple landscapes. This chapter source, color from shallow deep philosophical foundation, which leads to his the light purple colors and its contribution..The fourth chapter:the influence and significance of his the light purple colors.This chapter from the Ming and Qing dynasties and modern aspect to discuss.The fifth chapter:I am in landscape painting learning of the light purple colors the comprehension and cognition. This chapter mainly is to recognize and I feel about nature and experience in creative practice.
Keywords/Search Tags:paint colors, green, light purple, ink, shallow Jiang landscape
PDF Full Text Request
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