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The Enlightenment Of Bergson 's Life Philosophy On Contemporary Painting

Posted on:2016-09-22Degree:MasterType:Thesis
Country:ChinaCandidate:L PengFull Text:PDF
GTID:2175330473462069Subject:Art
Abstract/Summary:PDF Full Text Request
Art is a uniquely human way, and special requirements, mainly and a person contains all the characteristics of life, is the human spirit, consciousness, emotional release and the projection of a way. Say that art is a person all the life of the projectile, art is art, art is alive, the trace of the people and activities, evolved into painting, painting and vitality. Bergson’s life philosophy is based on the philosophy of people-oriented, Bergson phenomenon of all human behavior to the impulse of life, as a uniquely human ancient and non materialistic behaviors-painting art. From the beginning, she was born with man has showed vigorous creation vigor. Painting as a kind of visual art, along with the human birth, she produces motivation is utilitarian, primitive man not in the case of material deprivation for fire for creation and writing on the wall of the cave. All these phenomena originate from the human life impulse itself, life impulse is the motive force of all art, from cave paintings to science and technology of the 21st century, a highly developed art never shows signs of outdated, attract a generation after generation of artists to her, in the life impulse instinct forced by the artist has to give, to create. Because creativity is the life of self-sufficiency, we don’t need to beg, life itself is the creative instinct impulse, rheological, hidden in the subconscious minds of people, logical thinking, concept of symbols, such as rational thinking are preset, machinery, can only weaken the creativity, only rely on intuition can put aside everything pre-conceived ideas, in-depth object, reach my blend, the unity of subject and object, life itself will bring creativity to exert better. This is the true sense belongs to each individual for the creation of the individual life. Bergson’s life philosophy in the 19th century so art categories, including improvisation, stream of consciousness novels, automatic writing painting, etc., for the western modern art pays attention to explore the subjective feeling, mining expressed the author’s own emotional sentiments provides an important theoretical basis, for the western modern art into the powerful vitality. Bergson’s life philosophy in my painting creation also had a great effect in practice. Because the artistic creation comes from life impulse, I emphasize the painting creation is not a simple technique to explore, but more to explore the inner world, arouse the creativity of life itself is coming. Painting process is an open, facing the canvas without any default, intuitive to use brush at inner emotional impulse, leaving all the rhythm, symbol, color including the process of painting into emotions and feelings of visible traces. The whole painting process the author heart is to stimulate the creativity, and imagination. Let the author fully believe that their feelings and intuition, dig out the real belong to his creation. Too rely on contemporary art and painting theory, expounds concept, art and painting out of the people lost the original creativity itself alive. According to the revelation of Bergson life philosophy, we must return to the heart, obey the call of the heart, eliminate excessive external interference theory concept, to rediscover the creativity of the painting with dignity.
Keywords/Search Tags:Intuition, life impulse, stretching, excessive interpretation
PDF Full Text Request
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