A Study On The Name Of The Full - Tang Poems

Tang poetry is a shining pearl in China’s poetry history; Both music and literature are booming at that time. Cultural blending, all kinds of instrument are popular at this stage, especially the pipe blowing instrument, it Prompted the poets in tang dynasty who created many relevant work. In this paper, the Qing Dynasty Kangxi, Cao Yin Peng Dingqiu and others edit the “the whole Tang poetry" literature language material as the basis, Involved in "the whole Tang poetry" in the eight feet of pipe blowing instrument, select the “the whole Tang poetry" involved in the ten tube wind instruments, the tube is divided into reed wind instruments, wind instruments and wind instruments. Reed wind instruments for Sheng, Yu, Jia, Hichiriki, Chalumeau; No reed wind instruments for Xiao, Flute, Xun, Chi, Shakuhachi. the study of ancient literature and archaeological data and existing data. Try to "The whole Tang poetry “in the ten kinds of pipe blowing instrument nouns do analysis and comprehensive comparative analysis.This paper is composed of the following parts:The introduction mainly expounds the significance of the study, and introduces the history and the present state of the study, the methods of the study.The first chapter is an overview of "the whole Tang poetry" tube wind instruments. According to scholars division method for musical instruments, discuss the specific standard of instrument blowing tube, In order to select ten of the “the whole Tang poetry " involved in the pipe blowing instruments. Analysis the “the whole Tang poetry "in the ten kinds of pipe blowing instruments are overview, and the statistics of “the whole Tang poetry "involved in the tube number words poetry wind instruments.The Chapter II investigate five reed pipe wind instrument group of “the whole Tang poetry ".they are composed of Sheng, Yu, Jia, Hichiriki, Chalumeau. Based on literature and existing archaeological data, the purpose of this article is to research deeply on the five aspects of reed wind instruments:Nickname, shape, material, sound.The third Chapter investigate five no reed pipe wind instrument group of “the whole Tang poetry ".they are composed of Xiao, Flute, Xun, Chi, Shakuhachi. Based on literature and existing archaeological data also, the purpose of this article is to research deeply on the five aspects of no reed wind instruments:Nickname, shape, material, sound.The fourth chapter is to study the relationship between concept and entity of tube blowing instrument in “the whole Tang poetry ”. Mainly Involves wind instruments, motivation, material from the image of motivation, motivation, motivation of voice function summarized the naming motivation tube wind instruments. At the same time the Tang poetry relates to pipe blowing instruments and synonym and homonym in general, the appearance of the two phenomena and explores the causes.Conclusion, Summarize of the full text and indicate the possible extended filed of this topic.