The Formation And Development Of Liaoning Modern Industrial Theme Painting

In this paper, the first chapter mainly describes the painting of western industrial revolution, and its influence on our country industry genre painting. One more representative is the German painter atzel rolling iron factory. Industrial revolution calls for a door that atzel, door atzel raises the western industrial painting, while western painting, and so did the Chinese modem industrial painting started. So at the end of the first chapter briefly describes the western industrial painting type for the significance of the subject matter.The second chapter briefly describes the western industrial painting subjects to influence and significance in our country, and after that to enter the main part of this article, namely after the founding of new China industrial genre painting. In time for clues, divided into three parts, respectively is the founding period, during the cultural revolution and reform era. The three times industrial painting respectively have their own characteristics, in this paper has carried on the detailed statement. At the end of the third chapter, this paper expounds the great times for the influence of the corresponding subject and reference significance.The fourth chapter, it is an important trend of a Chinese art history- scar art. Have sprung up in this period had a profound impact on many of the contemporary artists, I focus on lists of the five most representative people widely at the bohai sea, Wu Yunhua, jia-zeng wang, Zhao Xiaojia, Cui Guotai. They are works of art, has had a profound influence on later generations, and industrial theme of contemporary art produced an irreplaceable significance. After that, I’m alone illustrates the industrial theme is an important element of the painting, in the form of feeling. In industrial painting theme, the sense of form is indispensable, is irreplaceable. Like the prevailing "all" and "red light" image, such as the thickness change of steel tube, towering chimneys, represents a kind of meanings, namely the recall for the industrial age in the past. At the end of the fourth chapter, my new focus for industrial theme paintings and future development direction of the imagination, and gives its good always, cut from three angles. First is the development trend of China’s ministry of industry, with the continuous development of society, China will certainly become an industrial powerhouse, industrial theme paintings will regain its own brilliance. The second is the new era of industrial development, in the new times, more and more high-tech into the industrial production of the first line, since the shortages of the traditional sense of meanings and the form of expression for artists to create. The painters pay more attention to feelings. Also only in this way, industrial theme paintings don’t drowned in the river of the Chinese art history. The third is the contemporary aesthetic taste. As China’s industrial toward globalism, aesthetic orientation is important. Is to continue to nostalgia or to a wider range, this has become a problem we must face. So, on the one hand, we need to protect the industrial remains, on the other hand, we are going to found in the industry in the new period of the new focus and inspiration, it is quite urgent. In the end of the fourth chapter expounds the my myself for industrial genre painting practice and understanding, and have specific works presented in the text.Industrial genre painting, and subject to change with the change of The Times, in different period have different spirit and expressive force, will act as a banner, always leading the advance of the Chinese art career.