The Development Of Digital Painting In Simulated Context

Rapid development in digital technology environment, people can feel it brings us in all aspects of change. The agility of digital science and technology of the high, wide spread degrees, in all corners of the pervasive. In terms of artistic creation, to the traditional painting has brought the huge impact, fast development of science and technology is always let us unprepared, artists have to face and discuss this problem.This article combines the theory of baudrillard’s simulacra, through literature research, summarizes the point of view, some theorists and researchers and some instances of theme and artists, and discusses the digital painting effect of and the relationship between the digital painting and traditional painting. Photorealistic, simulacra theory research at home and abroad is the lack of, need a lot of research on this theory. Digital copy of all at the same time, digital painting in imitating the traditional painting, on their own language, in from the real set up the super real at the same time. But it is not the ultimate. The first level and second level also exist at the same time, with the traditional hand-painted can also be carried out on the digital simulacra. With the development of science and technology again, whether there is any super digital production. Digital painting is very real, is virtual, when the super digital produce, maybe digital only into symbols to replace itself.This article altogether divides into three parts, the first part makes a brief introduction to the digital painting, including the origin of the digital painting, classification and application, and in the past people’s understanding of digital painting. The second part describes the digital painting and simulacra, including drawing creation simulacra stage of development, the development of digital painting in its corresponding relation. People expressed in the current digital painting is not initially understand the appearance, it is a kind of creative thinking mode, relationship with the traditional paintings together. And elaborated the digital results by traditional manual imitation creation mode. The third part of the real and the virtual boundary is fuzzy, true and false and can convert each other. Of digital technology to establish the real world is more and more powerful, but digital technology is not all, will become a kind of digital painting technology.