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The Baoji Chencang Black Community Fire Research

Posted on:2010-11-12Degree:MasterType:Thesis
Country:ChinaCandidate:X J YaoFull Text:PDF
GTID:2199360278479127Subject:Music
Abstract/Summary:PDF Full Text Request
The night fire are playing in night at the clubs downtown , which are main circulating Chencang District of Baoji City in the western mountains, It is a unique variety in are many types of Baoji Social and fire. In this paper, the fire agency and as the research object, in order to investigate the basis of the field, from the fire and the survival of social background, the history of the origins, transmission carrier, organizational procedures, performing the process, show the type of melody and musical form of the source analysis, and cultural connotations in terms of Society of fire and conducted comprehensive study. The full text is divided into four chapters:ChapterⅠ: Social and cultural background of the fire inspection .First, the fire agency and the survival of the background from the natural environment, organic evolution of the three aspects of cultural ecology is discussed in detail for the local cultural ecology, but also focus on agriculture, forestry, trade settlement, language, religion, lifestyle (including living, dining , weddings, holiday) each of the four angles of; followed by a fire agency in the origin and development of entry points, sort out the history and origins of the fire agency and society in the context of different rise and fall of the course.ChapterⅡ: Agency profile. Mainly include fire and agency organization, organizational procedures, performing the process, four aspects of the program type. The author first introduced the agency and the transmission vector of fire - the fire agency, including the fire agency's personnel, mission and activities; followed by detailed information on agency and the fire of God from the Senate, requested the agency of fire, the fire playing clubs along the door-by - epidemic to the entire organization will hsieh procedures; again introduce a triad of fire from the beginning to the end of the course of the entire performance; Finally, the fire agency and curvature of field in the pad, the text field, type of force field and commonly used programs in three plays.ChapterⅢ: Art form. Tt are including the night fire songs, dance, music of three forms of artistic performances. First of all, the author discusses the agency and fire song (including the introduction of songs and small pieces, big pieces) the source of the melody; followed by a fire in the black clubs and music songs to do a detailed analysis of music forms, including the singing of the modal scale, structural features, melodic characteristics of the rhythm of the beat, the accompaniment accompaniment accompaniment of musical instruments and forms; Finally, fire and social programs in three different types of dance forms, from the costumes, props, and basic dance steps of each of three areas onChapterⅣ: Cultural connotations. I mainly from three aspects of social and cultural connotations of fire have been excavated. First of all, discusses the agency and the social function of the fire, including religious worship, entertainment, education, regulation of the four aspects of cohesion; followed by a fire on a black contained in the agency and reflect the level of Nuo culture, sub-cultural layer opera, Chinese opera and the cultural layer four-storey modern culture and cultural level; Finally, because of the fire agency and includes performances of different types of singing, dance and accompaniment of the form, I will eventually boil down to the fire agency and the different types of songs, dance, music perfect combination of traditional folk art forms .
Keywords/Search Tags:Social and fire, Cultural background, Art forms, Cultural Connotation
PDF Full Text Request
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