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Mongolian Traditional Patterns Of Modern Graphic Design, Applied Research

Posted on:2012-06-04Degree:MasterType:Thesis
Country:ChinaCandidate:J Y WenFull Text:PDF
GTID:2205330332492397Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Learning from the class of traditional art in China, it seems to have so much to explore in the paper. For this reason, the writer wants to talk about the traditional decorations in the Inner Mongolian nationality, and some new situation nowadays. And try to understand how it develops in the future and put up some useful message about the traditional patterns in Inner Mongolia depending on the former learners who have studied this field in the past. In the work, the writer also expresses some opinion and feelings on the topic basing on the former theories, including taking some key samples proving the arguments. The patterns are seemed so precious that they learning people should pay more attention to make the fortune more fabulous in future to help the offspring in the field of graphic design. What is more, the writer will solve some problems in the process of reading, and come up with the feasible method to carry forward the credendum of Chinese people, the world of "pureness, goodness and beauty".Through the visit, investigation and discuss-research process in the Inner Mongolia region, the writer has found many problems:the historical data of flaw, cultural heritage, especially the works of art, in basically, has left behind just as ALaShan etc. a few other areas. In addition, in this region of universities, there is much less some related research academic reports, so the need of background material seems not enough. With the help of the development of the western region in the nation, it lets these kinds of cultural wealth speared out again. But it is far less concern than that of the economic development. Development of Inner Mongolian art culture is not coordinated with age because of being not very well connected. That is one of the reasons. Throughout the international new graphic design requirements, the domestic scholars, art designers should adopt many; and filling the short, Especially in Inner Mongolia native scholars and designers themselves.This paper will be divided into five chapters, the first chapter is called the introduction section, including relevant background and existing situation; the second chapter will be told the folk pattern details between Inner Mongolian and the central areas; the third chapter emphasizes on traditional lines of Inner Mongolia decomposition of absorption and applications. And the fourth chapter, in the market economic system, how to take advantage of the local folk patterns by the business people is the key topic. In order to win the consumers, they should run the commerce and CIS wisely. The final chapter, as the summary of the thesis, would be talked of the development and tendency of Inner Mongolian folk patterns. Finally, the writer just tries to design something to support my topic. That is all, temporarily.
Keywords/Search Tags:Inner Mongolian folk patterns, modern graphic design, Time and nation
PDF Full Text Request
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