Based On The Aesthetic Point Of View Of Contemporary History And Culture Documentary Research

With the enhancing of China's national comprehensive strength and government's more attention to the national traditional culture, the historical and cultural documentary entered an unprecedented boom. There is a rapid development momentum of its quality and quantity, as well as the communication effect and scope. Especially from 2005, "the Imperial Palace", "the Rise of Great Nations", "the Great--Zheng He's voyage journey", "the Six Hundred Years of Kunqu", "Dunhuang", "the Millennium Road of the Bodhi", "when The Louvre Meets the Forbidden City", "Visiting Chang'an", "the Big Qinling Mountain" and such works appeared。They were producted and broadcast by the mainstream media, with their grand scale, fine production, advanced technology, high artistic level, they won the good reputation and high ratings, represent our country contemporary documentary's higher level, and mean a lot for the long-term development of documentary.This research's object is the contemporary historical and cultural documentary with the representative of the works above, trying to find the aesthetic meaning of the historical and culture documentary in the macro environment of times which is symbolized with network and globalization communication.On the micro level, to find news aesthetics changes in the production and new aesthetic styles, and provide related suggestions to solve the spreading goals of documentary.In the macroscopic level, one of the modernity significances of the historical and cultural documentary, lies in the building of history landscape of contemporary human's brain, it is the main history perceptive way for the people in network time. Due to the documentary elite awareness and cultural quality, and the place in the contest of mainstream culture, elite culture and popular culture, play a role of elite aesthetic infiltration forms to the public in the frame of mainstream culture. Its specific topic and content with human care hold our position in pursuit of humanity in the culture industry and entertainment agitation. At the same time, it is an national video art in the International perspective, showing China's traditional culture and modern lifestyle as a window.The study bases on the aesthetic perspective, combining multiple disciplines' researching methods, trying to make innovation and achieve research breakthrough and looking for the deep meaning of historical and cultural documentary and its deep reason. The study looks for the media characteristics of the contemporary media environment; and the spread purpose and spread prospects of historical and cultural documentary by the analysis of its creators and audiences with different social and cultural properties and contemporary philosophical movement; and the understand and reflection of contemporary people and the beauty of humanity from the historical and cultural documentary image with the study methods of "new historicism" and "film history" and other historical study methods; and the development road combining nationality and internationalization by studying from the foreign counterparts and reflection by ourselves.Meanwhile, the study finds the new changes in the micro level of the documentary making combining case and text of contemporary documentary works. It mainly involves the narrative Angle of pluralism, story tendency, media technology effects and documentary music style. By the comparison and analysis of changes of specific text, and the methods of narration, semiotics, psychology, film history, aesthetics and other kinds of angle, it analyzes and explains these changes, including their formation and the deep reason of widely using. Then, judges and reviews the controversy in the current academic circles of these new techniques.Finally, according to the historical and cultural documentary aesthetics value and advantage, puts forward spread target in realizing the utilitarian purpose in the area of international communication, network communication, regional development and market competition, find the existing problems at present, and provides suggestions to optimize the historical and cultural documentary.This study will put the historical and cultural documentary in a big system and places it in a comparative perspective, to find regulation and judge the value in a certain height and on the lateral and axial contrast. With aesthetics as a clue, but the study is not limited in one angle, trying to use different disciplines perspective to find the change and development. By combining theory and practice, and putting forward problems and suggestions in the realistic level, the study hopes to benefit the future documentary creation and study.