Song, As The Word Body "tone" Of Zheng And Wei Textual

This thesis firstly traces out original meanings of The Music of Zheng-Wei, then classifies those Song people who regard the style of Ci as The Music of Zheng-Wei: one group is the theorists; the other is the authors of Ci. It explains, by giving representative examples, how the two groups of people form this kind of Ci-Value. By analyzing some significant phenomenon about Ci's history in Song dynasty, like there is a wide gap between the numbers of poem and Ci, romantic love in Ci writing is flourishing, and the refining tendency of Song Ci, this thesis sums up the reasons why Song people regard Ci as The Music of Zheng-Wei are not only related with music background as well as the style's special communication ways, but also related with the pressure brought by poem and music teaching of Confucianism, and with the enjoyment and aesthetic pursuing of Song people.