Traditional Chinese Art Resources And Contemporary Sculpture

1) The Research Purposes:During the process of inspecting the JingDezhen ceramic resources, the writer noted that, since the early 1990's to now, a large number of contemporary sculptors have shown keen interest in these resources. They put the resources applied to their own creations in a variety of ways, thus become an influential phenomenon. Therefore, the writer has the thoughts to study this phenomenon. By studying the causes, current situation, the problems and the future development trend, on one hand, we can be more in-depth understanding of the value of traditional culture in contemporary context, on the other hand, the study can provide assistance in theory right in the author's own creative practice of finding innovative way because she is also at this phenomenon,.2) The Research Methods:Theoretical method: made the paper more rigorous and scientific, and found theoretical support for arguments.Survey method: through collecting a comprehensive example, identifying the universality, provide credible facts for the argument.Analysis method: starting with actual examples, analysis and research the facts. And make recommendations, response and the ideas for solving the problems.3) The Research results:This paper based on the cultural background of how to use traditional resources in contemporary art. Through painstaking research on the historical value, the current status and development trends of "JingDezhen phenomenon", finished the study on this important phenomenon in contemporary art in similar studies Seriously and detailed on the first time, revealed the hidden problem in this phenomenon, and proposed the solutions to these problems either.4) Conclusion:The successful artists constructed a unique pattern on how to use the tradition on the basis of a West Method. In this pattern, they use national particularity to emphasis that we are Chinese. Therefore it is certain academic value. It was also because of these direct and effective characteristics, indirectly led to the tendencies of using the same methods, thoughts and excessive decoration. We should try to find an East means of expression for spiritual aspirations to construct a pattern and try to use it to face all the common problems in the world, which are not just in China. Perhaps this, we could finally avoid the contemporary art to "Western" or "narrow Nationalization".