| Since the early 1960s last century Pavarotti boarded opera stage, his sonorous voice is bright, expressing one's personality and his arena in shaping the rich appeal of the opera characters. Opera gradually won the heartfelt love of the audience, and become the world's hearts of the majority of fans of a brilliant sun! Balaguer in the world music scene more than 40 years of generation Pavarotti. Today, it has to tour the world in the form of thousands of his fans to say goodbye. History will Pavarotti pushed to the 20th century vocal central stage, And he also opened up the 20th century tenor singing a new and glorious chapter! Pavarotti in 40 years singing career, scored brilliant achievements, and made remarkable contributions won unparalleled honor, which have evolved into an a glorious Symphony, resounded through the skies, a permanent stay. Based on the scientific principle of singing articulation and Italian traditional aesthetic singing as well as author's music learning, research and practice, the thesis briefly introduces great world-known tenor, king of "high-C"tenor Pavarotti's life of learning and study. The author tries to make the comparison among traditional aesthetic singing and its represents from the perspective of breath, singing area shift, and resonance as well as personal style to analyze and discuss Pavarotti's singing artic characteristic. Besides, the author analyzes and discusses his artic achievement from the perspective of his singing time, singing space and the appraise of media and fans and the successful "Three Tenor". Finally, the author discusses the implication of his singing art on the development of our singing art and the problems existed in this field. |
