The landscape of song dynasty was a climax in the history of traditional Chinese painting. The most giant painting courtyard came into being because of the devotion and aegis of song dynasty dominator. There were many persons with ability in the painting courtyard and most of them were good at landscape. But since Qichang Dong (1555-1636) of ming dynasty who divided song dynasty into south song dynasty and north song dynasty, the literati painter of song dynasty such as the father and son whose first name was Mi and painting of yuan dynasty were regarded as legitimacy by traditional literati. The productions of painting courtyard painter were regarded as artisan painting and could not be learned, so many of them were forgotten. But the productions of them which were came down made us adore to this day. In this article, we explored the range of courtyard painting landscape, summarized the style and visage of some kinds of representational productions and analyzed their aesthetics idiosyncrasy through some aspects such as maturation and development of technic procedure, artistic conception of poetry and careful and precise degree in the picture. We hope this article could bring some new revelations to current landscape invention. |