| Since 1980s, the pursuing of the richful expression of Guzheng music leads a great development of new performance-techniques, which induces a lot of new indicating symbols designed. At present, the debate upon these symbols's standardization is continuing and a full standard is still not built. Base on the analysis of current symbols, this thesis points out the problems in making and using these symbols, and proposes the tentative plans for the standardization of Guzheng performance-techniques symbols according to the category division, the design conception and the music annotation. |