The Synthesis Language Of Contemporary Art In China

The artistic view is fresh, abundant today and different from the past greatly. We can say, the century of now is the era of a technological media, then various relations of arts are changing in the cultural field. People's already existing aesthetic value is changing, and the art history is being described as a movement of developing towards media, symbol, information from subject matter, theme and language. This kind of changing direction display not only in people's conniving at the demarcation line and the artistic types' disappearance and on the norm of art. The unified aesthetic standard of art is examined by all kinds of artistic practices, and then is being queried constantly, changed. We are unable to select a certain tool material as before, use a certain exclusively-owned technology acquainted in training to display the broad aesthetic feelings of the world of today. In the face of this kind of state, we can't help asking "what should we do?", then "what is for art" in natural further thinking?In line with such thinking, this text began with the realistic state of the comprehensive material, in turn the author put forward and discussed the questions such as "what is synthesized method? ";" why we use this method"," what can be synthesized "; "why we are talking about material", "what is material?" . Consulting artistic sociology, post-modern for philosophy, modern aesthetics, the values of liberal arts, etc, the author proves such a conclusion: the synthesized method is not summation briefly of designs, the material is not the simple expansion of concrete things. Their essence concerns a deep thought regarding to a kind of society, culture, history and philosophy. At present, the essence of comprehensive material is that: the vitality of vigor and the freedom of expression! This conclusion can be also an answer to "What is for art".