"impressionistic Brushwork Figure

Fine brushwork in this paper figure "freehand" in the performance as the breakthrough point, the adoption of the "freehand" in figure painting in the fine brushwork in the existence and performance analysis of the characteristics, combined with their own creative practice, trying to figure from the bird body language perspective reveals the "freehand" in the important position."Freehand" in the concept of traditional Chinese painting occupies an important position, is the concept of traditional Chinese painting in the inherent sense of a painting, but also the spirit of the traditional thrust of portraits. Fine brushwork of traditional figure painting is accompanied by the same unique aesthetic that produced and developed, and it has always revolved around the development of vivid characters from freehand. Modern bird portraits, as the subject matter content, style and creativity in the concept of diverse genres coexist, constitute a general strengthening in the form of screen, shape, color, ink, point, line, face and overlap elements of various shapes and interspersed combination, constitute a modern bird portraits new art, and "freehand" in the modern fine brushwork has become the highest figure the pursuit of art. Therefore, fine brushwork modern and traditional portraits to find the direction of its development must be re-understanding "freehand" in importance.In that case, "freehand" in fine brushwork in traditional Chinese figure painting is how the performance? Modern bird portraits and how to inherit and develop the "freehand" in the spirit? "Freehand" in the specific context in which? Its development of the modern figure of the necessity of fine brushwork? The author of this series on the issues discussed on the fine brushwork figure in contemporary art of the state of the art of analysis and observation methods, modeling language, composition and other aspects of the form of fine brushwork into a modern figure in the "freehand" in the characteristics.