In 1949-1966, Guangxi Construction Of National Experiences In Modern Chinese Poetry

At fifties to sixties of last century, the new political system and the new social life brought a new atmosphere about the literature, in the context, the writing also appeared a new trend of Guangxi poetry. Because Guangxi poet such as Miao Yanxiu, Wei Qilin, Bao Yutang, Huang Qing, Nong Yitian, Sha Hong, arise one after another, "Poetry in Guangxi" appeared in Chinese poetry field with the overall significance, minority identity and local characteristics and formed a special phenomenon of the poetry. This thesis according to the characteristics of the ethnic minorities in Guangxi having only language but text, view through folk songs and folk tales, explores the minority experience of modern Chinese poetry to construct.This thesis is divided into five parts: Part one notes the meaning of the research, reviews the literature to identify areas of study in order to find the subjects and methods of research; Part two explores the formation of modern Chinese poetry and its characteristics in Guangxi; Parts three and four are the main body of the thesis, respectively through the two angles, folk songs and folk tales, explores the methods of Guangxi poet constructing the national experience; Part five is the conclusion.Through the research, I found that Guangxi Modern Chinese Poetry inheritances the art experience of the folk songs and folk stories, showing a distinctive local characteristics, and has set up a unique minority experiences. However, the passion of Guangxi poets to construct minority experience has always linking the genuineness of loving the Party and new China, The aim is using the art form of popular to cultivate the people, to educate the people and encourage the people to build the socialist country.