Sui Monk Poem Female Image Analysis

Poetry is a bright pearl in China's cultural promenade . Without it , China's literary history will be overshadowed embellishment. Monks' poetry, whether in Buddhism or the history of Chinese literary is remarkable things, and it is a significant sign on Buddhism in China. But over the years, because of the small number of Monks' poetry, there are very few relevant studies. In recent years, more and more monks and their poetry favored by scholars, researchers and works on monks and poetry on constantly emerging, so that research in this area continues to develop. Nevertheless, as the Sui, Tang and Five Dynasties and the monk poetry a whole, certain types of image analysis of their research are rare. The thesis tries to start by the special kind of female imagery from Monks' poetry. By analyzing the image characteristics of these women to explore the Sui and Tang dynasties more monks described why there were such imagery, as well as the range of monks at the time of such imagery by the Buddhist culture and the shackles of traditional Chinese culture.The thesis is divided into five parts: the first part of chapter preface introduce the current research in monks and poetry as well as the characteristics of the status quo, that is, the results of numerous studies, individual and collective research both studies, poetry creative research and theoretical study poetry simultaneously and so on. At the same time, it is tries to briefly analysis on the Monks and the concept of poetry. The second chapter focuses on analysis of the Sui, Tang and Five Dynasties emerged female monk poem imagery, summed up its distribution characteristics for the total number of small, concentrated distribution and occur mostly as secondary images. These imagery from the poet's aesthetic value judgments of view, can generally be divided into beautiful women, sad women, vulgar woman, as well as some type of no value judgments. At the same time, analysis of the imagery has a Code as of, and the concept of broad features. Chapter three analyzes the Five Dynasties and the Sui and Tang Buddhist poetry of female imagery reasons, this connection with the Sui, Tang and the living conditions of women in society, and on the other hand their own culture and personality, and the Sui and Tang monks also conventional social situation appears for such imagery is precluded, while Fanzhi Wang, Hanshan custom of the monks, such as the special identity of such imagery is also frequently found in their incentive to write about. Chapter IV further analysis of why the female imagery in the poem Monk appears relatively small, the first Buddhist culture is the very exclusion of women, this part is mainly from the precepts, and reincarnation concept, classic, etc. has made this analysis; Second, Chinese the impact of traditional culture, mainly from a philosophical, political and ethical positioning of women in the analysis of the reasons for this situation. Finally, the thesis further pointed out at the crossroads of two cultures monk groups have a dual personality, it is this dual personality, so that they are in Buddhism can be drifted away from the heart of this, in Chinese tradition is not confined to this. Monks' poetry financial Buddhist culture and traditional Chinese culture in one furnace practice, all creatures are equal emphasis on Buddhist culture, but in fact the inherent discrimination against women has a gene; Chinese traditional culture and the relationship between women is more ambiguous, on the one hand the performance for the exclusion, But at the same time do not refuse. Monk female imagery poem reflects the monks in this process the various concerns, as well as a breakthrough.