"for" And "gift": Five Dynasties And Northern Song Landscape Architectural Point King,

In five dynasties and northern song dynasty, Chinese landscape painting was highly supplicated, whose architectural construction had also absorbed "boundary drawing" technique. "Imitating", "learn from nature", "transition", "the natural painting perspective", to achieve the aesthetic mode of combining sense and mood, which completely showing the culture of "Yin Li" ----"obeying the law of nature and in accord with the etiquette".This paper starts at the formation of architectural construction in the five dynasties and northern song dynasty landscape painting, analyzes the aesthetics conception of "Yin Li", extracts the types of architectural construction and features of landscape, analyzes the origin of "Yin Li" culture in the following three perspectives:scenery, shape, and feeling. This paper interprets that the presentation of "Yin" (the law of nature), "Li" (etiquette), and the transition from Yin to Li are "imitating, thinking, and feeling". The transition steps of it are: looking, feeling, shaping, imitating, shaping, and combining shape and mood, making imagery, having innocent fun. From the above analysis, we can see that "Yin Li" is the aesthetic roots of the architectural landscape painting in five dynasties and northern song dynasty. Therefore, the architectural construction was the finishing touch or implied meaning or expressing emotions of five dynasties and northern song dynasty's landscape painting, which has profound impact on the following landscape painting. This paper using the technique studying methods of architectural construction, space aesthetic etc, focus on the study of aesthetic concept of landscape painting and painting theories, interprets the deep meaning of image and graph in the five dynasties and northern song dynasty landscape painting, the symbol meaning of nature and etiquette, as well as painter's aesthetic judgments, etc.