Monteverdi Opera "orfeo"

Claudio Monteverdi is a famous Italian composer,the opera《orfeo》is his composition.,this opera Is the first part of the works of opera. First highly by historians as the opera works on real significance, Also known as the 17th century most outstanding works of the opera..The opera《orfeo》is a dramatic establishment, personality traits, dominant motivations, the orchestra foil etc, and has strong creative dramatic colour of opera works. It is the creation of Italian opera lays basic pattern. Composer of new ideas and new creation, originated from subjective mode of thinking and ideas and social changes. Specific performance in :â'ˆPlato's aesthetic thoughts in ancient aesthetics of the inheritance and development;â'‰Accept the Renaissance movement "people-oriented" of realityâ'ŠWith their ideas and aesthetic pursuit for starting, the"prima prattica"and"seconda prattica"organically fuses in together , and translated into the practice of writing opera—Constitute the dramatic structure of tension;â'‹With the madrigal unique creative characteristics and styles of writing used opera, the true meaning of the operatic aria, initially established opera music tone with the character of the relationship——theme motives;â'ŒThe "people-oriented", performance of human emotion and music for dramatic service concept and pursuit, with the orchestra new combinations and function design,in practice to reflect.Monteverdi's opera creation brings not only new change and style characteristics, And make an Italian opera to dramatic personality conflicts, and the development direction, extension plot, for the Italian opera, which is finalize the design and development has laid a solid foundation.Meanwhile, also for social brings a pure and fresh and person's emotional ups and downs changes of experience. Its influence and artistic achievements not only in the environment, and extended throughout the 18th century. Historically, Monteverdi's opera《orfeo》have profound historical value and meaning, more established him as early operas creator of status, value and meaning.