Combing Ouyang Xiu's Music Esthetics Thought Again

Ouyang Xiu's musical aesthetics of the re-carding is a big topic. Multi-angle, multi-level integrated analysis is this paper, the basic principles of methodology, that is music to study the nature, function value, the premise of character evaluation, and by studying music and literature, in order to obtain a reference methodology. This paper tries to study from the perspective of cultural spirit of aesthetics Ouyang Xiu's main features, in comparison Ouyang Xiu's musical aesthetics to get a new perspective. Ouyang Xiu's musical aesthetics of the research has been done a lot of previous work, but the type of music and arts activities and specific aspects of morphology, but show considerable differences. This paper summarizes and compares the premise of Ouyang Xiu's Aesthetics of Music, the cut into the aesthetics of Ouyang Xiu's "culture", "thinking", "value" areas such as aesthetics, the emphasis on interpretation of Ouyang Xiu as reflected in Music Aesthetics Other Culture - the "self", "perception", "social function", "cultural functions" concept and the practice of combining traditional art, to make conceptual and theoretical analysis summarized comb. This can help us better inherit and develop the fine traditions of Chinese music aesthetics, resulting in a broader sense, in favor of cultural heritage and development of Chinese music.This article is based on theoretical research, combined with the aesthetic forms of music, the pursuit of the scientific research process, normative and seriousness in order to learn from previous musical thought, and your whole mind will be characterized by the presence of the United States placed on music full There are examined on the basis of music and awareness.