Normality And Fission: The Bartok Music To Create The Double Dimension

Hungarian composer Bartok is one of the greatest musicians of 20 century, The 20th century of his life, appeared the situation of chaos.of the dim art theory and art practice. But it anti-traditional trend is clear, it is extremely stressed innovation and originality, and make a break with previous styles. Creation has become a god-like worship of similar objects, emerging artists to be refurbished as Superman, the focus of the arts community is "constantly creating" art without really cares. However, the 20th century, there are different ideas, they respect the tradition, respect for history.Bartok is a representation of the Neo- Nationalism composer. His creative notify descendants, in an anti-traditional atmosphere, recognition of traditional courage, and learn from tradition, thus creating new wisdom is embodied. Discover where Bartok's creativity, the core is to understand how to deal with Bartok's music in the creation of creative and traditional, music creativity and music history, music creation and the relationship between three aspects of cultural heritage, this thesis will also benefit from these three aspects, to dig deep Bartok's music creativity. Bartok to the countryside to collect the real Hungarian Magyar folk music, and is not limited to Hungary, also expanded collection of Arabia, Turkey, North Africa and other regions of the folk music. Bartok from the historical tradition of art music to draw nourishment, but also break the shackles of music history constant pursuit of innovation, properly handle the history of the relationship between tradition and innovation, which is listen to their music has always been a strong one of the reasons. The Bartok and Betrayal of cultural adaptation, it is the innovation, the secret of success. Bartok is through these their own unique creation, so that his music is full of charm and character of the nation's unique charm.