Research On The Development Of The Regional Chinese Landscape Painting

Chinese landscape painting is the history with the conception of the unity of nature-human, which is the space with the concept of landscape awareness. However, due to a variety of China's topography, Plateau, mountains, plains, hills and distribution is extremely uneven, the region's geography, natural conditions, cultural landscape, economic, political and other aspects vary widely, thus forming a different style but all with a geographical characteristic of Chinese landscape painting. Regional differences in natural characteristics and regional cultural identity and diversity for the landscape to offer a wealth of creative themes and ideological content, bred and produced many landscape painting schools and highlight the personal artistic style. Landscape painter in the region for his own understanding of the environment and human thinking has always been his understanding the artistic style of landscape painting has a close relationship. North-south differences in climate and the natural environment, and historical and cultural ideas are different in something, to form the soft light ink, elegant show of South School landscape painting and bold ink, vigorous and forceful face of the North School landscape painting.Chinese landscape painting pay attention to "nature outside, spirit inside." The formation of a painter's artistic style and artistic characteristics based on their long-term practice, constantly sum up and draw based on the experience of others, absorption and innovation in the evolving process. The formation of the artist's style and characteristics include a deep understanding of artistic form and artistic content. And reveal an individual's personality and talent of the artist. Only in his own familiar territory can the artist have a more lasting impression than others in the natural environment s. Although the regional natural factors, history and cultural factors and politics and economic factors have a significant impact creative artists, but artists in different times, different regions, different living environment, face a variety of features, each produced different feelings and realized that. Sometimes even in the same time, face the same living conditions and the same images, different artists will produce different sort of understanding, they will from different angles, in different languages and techniques of painting to show different emotions, in explored continuously find, review, innovation, constantly enrich and gradually improve the variety of writing, ink, texture strokes to form a suitable express their feelings and see the performance of its landscape and artistic language to form a variety of different styles of Chinese Landscape painting art.The first chapter of this paper Mainly through a typical case of scanning of the formation of regional characteristics of Chinese landscape painting, in-depth analysis of regional characteristics of the formation of Chinese landscape painting objective natural causes, history and culture and the political and economic motivation; second chapter focuses on the cultural diversity, dialectical philosophy, art development and so on, understanding and playing the regional characteristics of Chinese landscape painting to explore the nature of regional problems and coping strategies; the third chapter, respectively, from the regional characteristics of Chinese landscape painting modern landscape painting provide specific life art base is conducive to the formation of the local creative community development and prosperity, is conducive to stimulating local culture and local economic development and other aspects of comprehensive exposition of the development of Chinese landscape painting in regional contemporary art value. In conclusion, this paper links some of the problems in contemporary landscape painting faced, that the study of Chinese landscape painting in the regional issues should be provided for the inspiration of contemporary Chinese landscape painting, and the rise of contemporary regional school of painting to reflect on this phenomenon with the development of.This paper uses the literature and theoretical research methods, the art history research methods, combined with the sociological approaches to human geography, and the use of image analysis and the focus of work site visits, vertical and horizontal cross, horizontal conducted mainly to examine the idea of ancient Chinese landscape paintings with analysis and research, adhering to the " History with theory, combined with the history of "principle, take history as far as to guide and based on the tradition, with contemporary developments in landscape painting from China cut into the regional issues, through analysis and study of the formation of regional characteristics of Chinese landscape painting and its basic motivation, regional nature of the problem and its corresponding strategy to demonstrate the development of Chinese landscape painting in regional contemporary art value.