Chinese Graphic Decoration Of Symbolic Thinking In Language Heritage And Reconstruction

The Chinese graphic decorative language is the products of Chinese traditional culture. The creation of the unique and profound national culture reveals to the eastern traditions sensibility and penetrates symbolic thinking visual form. With the trend of contemporary globalization, the Chinese design is more reflected in the people re-transmission mode of thinking, which import of the international design based on the visual language. Symbolic thinking is the root of all the Eastern Graphic, thus the profound symbolic thinking must be the inclusion of the eastern graphic must contain. When studying the history of Chinese graphic, we would try to discovery the original function. Meanwhile, the shape of graphic will convey the information with the historical and cultural background space-time to us. Then a kind of cognitive thinking activities will be generated with this graphic medium. Obviously, graphic symbol of thinking is veiled in the cognitive activities of objects. Symbolic thinking is not only a potential form of thinking of Chinese culture, but also the source of a lot of artistic creation. With how to express a new profile of the Chinese graphic decoration in the field of modern design, we have been accepting new ideas, new concepts, new technology, simultaneously we should inherit and reconstruction the symbolic thinking of the Chinese local culture consisting of the soul of cultural roots pillar. Design activities continue to expand and update with time passing and space expanding. When we think about how to integrate the Chinese graphic decorative language with modern design, how to inherit and develop the traditional Chinese culture. In that case, we will absorb new resources and focus on traditional cultural interaction with an open-mind and tolerant attitude. This is really sustainable inherit and effective reconstruction.