The Singing And Research On Schumann's Vocal Divertimento "Poet's Love"

As a specific genre of vocal music, the German art song literature in the status of Western music is extremely important. And Robert Schumann is the most outstanding in the 19th century one of German Romantic composers in this field, his contribution is beyond doubt. Schumann, based on the classical music, he inherited the art songs of Schubert's lyricism, combined with their own unique insight on the romantic and rich emotional experience, and skillful piano technology, increased to German art songs A new level. Vocal divertimento "Poet Loves " is Schumann in 1840 Responding to a famous lyric poet Heinrich Heine's "Lyric Interlude"and creation, is one of the German art songs masterpiece.This work consists of 16 songs, each song on plot has comparative short correlation,,relatively short length, all with the first song lyrics for title.Describes the poet in May gorgeous to a girl may produced the love and the good longing for happiness.gradually feeling the pain of love lost written, that the last Poet will be put into the coffin of love and pain in the sinking of the sea.This paper attempts to Heine and Schumann of age in the background,and the divertimento Ontology research, analysis of the creative features of the divertimento, combined with own singing and singer Barbara concert version, the concrete analysis of each of the first concert Song to the attention of the major problems. Hope that through this divertimento research, thereby enhancing the ability of my singing art songs, German art songs to friends like this works on the deeper understanding.