| The subject of this paper is the Dynasty drama. The so-called Dynasty drama refers to the dominant narrative text object for the real history of the dynasty, and the era of the emperors as the main characters of the drama. I chosen these dramas as object, because from the performance of text, the process of the imperial image covert from artistic expression into the image, is the history's "deconstruction-reconstruction" progress in modern society, as the point of history and art, Historical Teleplays have to wandering between the edge of the real and imaginary since it's logic limit and historical material; from the narrative pattern, Dynasty drama is not a simple image display, as a an important component of cultural production, whether it is "performance" or "representation",the narrative pattern will inevitably subjected to overall culture restriction, reflected the significance structure of social and cultural; from the audience and spread, the historical drama is a code of social relationship, its background, encoding by the impact of different ideologies encoded differences will naturally arise. Therefore, the interpretation of Dynasty drama is required from the historical presentation language, observe the text of the historic and historical texts, we can find the multiple connotation and denotation under the appearance of the historical drama.After the research of current domestic situation of the historical drama, the first chapter discusses the evolution of Dynasty dramas, and the relationship between historical text and the television text, this dialectical relationship determine narrative pattern, text selection and characteristics of shape is different in different narrative mode.Chapterâ…¡focus on the narrative strategy, analyzes structure of the Dynasty drama, interpret audience psychology behind the images, privileges narrative, the hero worship in the process "see and be seen ".Chapterâ…¢focus on "The Ming Dynasty" and "The Tudors", to study text encoding on the impact of differences ideological. The fourth chapter discusses how the historical drama achieves its market value and cultural values as a consumer mark.Chapter V research cultural homogenization, with the process of globalization, business attributes strongly impact to traditional culture, therefore, the historical drama of national identity has far-reaching significance.This article not limited to a single text analysis, but do compare between dramas domestic and foreign, interpret its background and business value. Analysis in cross-cultural can provide us with how the national cultural go into popular insight, when the areas of daily life become a copy of the world, the social mentality, thinking patterns, values, popular culture would be to increase the legend, meet the people's desire for personal survival. |