The "theme" Of The Chinese Contemporary Dance Creation Process With Reflection

A s the "theme" of the musical term, originally referred to a symphony or ensemble, choral music in the main part, throughout, the music tone melody. Borrow an important speech to the Chinese political context, the strategic concept of the "theme" starting at the state leaders and instructions. It sometimes refers to a "new" during the party and the country's overall sexual publicize the principles and guidelines (mainly reflected in the instructions of the Party and state leaders of the speech); sometimes refers to part of a global publicity important works (for the departments of Party committees at all levels, advocacy); general social awareness and mass media, the "theme" refers to the type of the generation of a literary work of art (such as "theme" dances,"theme" movies, The "theme" novels, etc.). In this article, the "theme" is basically "building socialism with Chinese characteristics" period of the party and the country's overall communication strategy, specific object discussed is a general sense as a work type of "theme" works of art.China's "theme" Dance with other literary and artistic works "theme" to flourish in state funds to support and under the policy of preferential treatment, achieved historic results. Especially since the reform and opening up, for example, including the "theme" dances to ballet dance works (ballets, dance poem) was a "blowout" type development trends, in less than three years time, the Chinese dance drama production up to320 Chinese dance "digital space" and "super-boom", to stimulate the full range of change of ballet concepts and the stage show. This is an unprecedented opportunity, and attention means that the highest form of so-called "art of dance." Geometric soaring! This is an unprecedented challenge. From the quantity point of view, China has become the world's ballet-producing countries.However, the appearance on a number of excellent and can not disguise the weakness of the essence and body, there are people hidden behind the prosperity of the Chinese ballet creation phenomena:from the dancing body, there is the theory unclear, ignores the reality, the lack of innovation, content pale; from the aesthetic point of view, showing the status of practitioners, few audience; from an economic point of view, spend more and more, but the effect is very little momentum imbalance. Strongly the fact that compared people have to re-examine the problems of the "theme" dances. Obviously, this abnormal development is not conducive to promote the "theme" is not conducive to the normal development of the "theme" dances.It is with anxiety, I tried to stand in the creation of the dance point of view to make a personal positive thinking and reflection "theme" of Chinese contemporary dance creation. Works, for example, starting from the creation of a "theme", the ballet's success-----"the Yushu do not forget" for example, analysis of a range of processes from creation to work, rendering, and the audience response designed to "theme" choreography left or experience or lessons learned little inspiration. Meanwhile, today's "theme" of dance, delve into the causes, to seek effective solutions.This article consists of three chapters:the first chapter is "'the main theme of background and the status quo". Introduces the concept of "theme", the political and ideological background, history and other relevant background information, as well as in contemporary Chinese society "theme" Development Status of dance. The second chapter is the main theme of dance processes----ballet, Yushu will not forget "the rendering process, which occupy this article length up to a chapter. Mainly through a full range of detailed analysis of work are discussed in a narrative meeting, to take full advantage of the interviews, create logs, manuscripts and other primary source materials, as far as possible also the original author's creative intentions and ideas, and objective analysis of the works, the intention of the analysis the process of gradually revealing the purpose of the paper point of view. Specifically addressed in the laws and processes of artistic creation as the main ideas about the consideration of works from the material to the subject; the causes and course of several major changes occurred in the idea of structural phase; concept of the creation of works of art characteristics of audience response, comprehensive analysis of work and concludes. The final chapter is the concluding part of this article, according to the results of the analysis of the first two chapters, the "theme" of dance status quo, questioning and reflection, to find the root of the problem and propose a positive solution.All in all, I want to be able to leave a little more or less contemporary "theme" of dance thought and enlightenment through the study of this subject. Theory will ultimately fall into the practice, practice also requires a summary of the theory, the two complement each other and work together to promote the healthy development of the "theme" Dance to contribute.