Discussion On The Analysis Of Creative Features And Aria Of The Opera "don Giovanni"

Wolfgang Amadeus Mozart, the legendary music prodigy, is a representative composer of the Vienna School during the Classical era, who left a large number of previous musical heritage to the human race during his very short life. Operatic music is the most important creation area of Mozart. All together22Operatic works are created, many of which are still performed on stage and enjoyed by people after hundred of years of vicissitudes. Don Giovanni, one of the most classic operatic works of Mozart, is regarded as "the opera of operas", whose publication represents the maturity of Mozart's operatic creation and an important moment of the Classical Opera in its prime.This thesis is composed of three parts:Introduction, The Body and Conclusion. Four chapters are included in The Body part:Chapter One is a generalization of the experiences and features of Mozart's operatic creation; Chapter Two is an introduction and discussion of Don Giovanni's plots and structures, with the discussion of the layers of structure of operatic creation being a unique feature of the research; Chapter Three is a further analysis of the major part of the protagonist Don Giovanni, including Aria, Duet and Vocal quartet; Chapter Four, as the focus of the thesis and based on the author's own learning experiences, offers a deep and detailed exploration of the study method of the lyrics and melodies of the opera under study.With the background, plots and threads of Mozart's operatic creation as the entry point, this thesis attempts, based on a brand new practical concept and the author's own experience in opera learning, to address the key points and difficulties in learning the classic opera Don Giovanni through a deep discussion of its creation features, music levels and singing skills.