The Tune Song Cultural Connotation Of Music And Singing Syudy Of The Southern Song Dynasty Jiang Kui

This paper is take the Chinese ancient scholars music as the research content which quote six Ziduo songs of the "baishi daoren Songs" to shallowly study the Song dynasty music and poetry features through the analysis and study. The music and poetry of the "baishi daoren Songs" was taken as "an integrated music event", which including the origin of utterance ineffable songs; put the Jiang baishi at the time of the historical, social, cultural background with "the Human research",(that is the art form of utterance ineffable songs should be connect with its circumstances tightly, even conditioned by it, emphasize its own culture in the context of the reduction); the analysis of Musicology, the characteristics of singing. The key points are research of singing and classify of performing.In my opinion, to restore the song method of Song dynasty, not only in the text to grasp the songs mood, lyrics on the four tones, melody development, but also hold the background of the age of creation and writing reason in macro visual angle. Meanwhile, it still need to research and analyze about the creation of literature and law of utterance ineffable in the two Songs dynasty period, then combining modern KunQu's singing techniques of the law, and to summarized the utterance ineffable music and song rules in multiple perspectives and levels. Therefore, the paper use the form of combination of the literature review and music analysis, from the creation of the scene, trying to restore and to infer the singing methods and musical features.