Analyses The Chapter One Thousand Sweep Of Breath And The Use Of Rhythm

The chapter a thousand Saul is the creation of a Hong Kong composer LuoYongHui theorbo solo. Works for the Chinese traditional and modern western art thought the organic combination of the composition, and, to some extent, embodies the Chinese contemporary work creating concept and the basic characteristics of the techniques. This article chooses the chapter a thousand Saul as the research object, mainly the breath and the use of rhythm, so as to further grasp the characteristics of music players and context to provide the reference. This paper is divided into three chapters:The first chapter: A thousand Saul of the introduction to the music;Chapter 2 chapter :A thousand Saul of the body and the music method to play analysis;Chapter 3 chapter: the contact between the cursive art and music art.Among them, the second chapter and the third chapter are key parts for this paper . The second chapter focuses on analyzing the SanBan rhythm and breath in the use of the music, that indicate the rhythm of the union of Chinese and western form and the breath in music as crucial role; The third rules through the cultural background of the works- Calligraphy for composers to explore the impact of thinking reveals the interaction between different art forms of integration in the importance of artistic innovation.