The Development Of Expression Techniques On Contemporary Fine Brushworks In Figure Painting

Claborate-style figure painting is a type of important form of expression in Chinesepainting, and plays a important role in chinese history of painting.from centuries ago,both particular techniques and forms of expression of claborate-style figure paintinghave clearly identifiable characteristics of chinese traditional painting. Additionally, indifferent eras, it had different brilliant art characters and picture styles.Contemporary claborate-style figure painting techniques has influenced by multipletypes of art, including sketch modelling art, japanese style painting, decorationpainting, even graphic art. given significant influences from these types of art,contemporary claborate-style figure painting has more diverse image paradigms anddisplay techniques. Of course, such development attribute to artists’ explorations.Artists not only inherit traditions, but also make innovations to improveclaborate-style figure painting in terms of more abundant topics, sense of aetheticsand modeling performances.These is an dissertation that explores the development history of claborate-style figurepainting and try to explain different styles and expressing skills. It also take insightinto the approach that contemporary artists use to select between different techniques.Furthermore, it trys to figure out artists’ artistic styles and cultural connotationunderneath specific techniques. this dissertation has five parts: the first one isintroduction which describle the characteristics of contemporary claborate-style painting from the perspective of history. The second part examines how foreignpainting styles influence claborate-style painting and the way they communicate. thethird part emphasizes on specific painting techniques and compares contemporary andtraditional paintings from the perspectives of both colour and picture designation. Theforth part explore the generation of face from the perspective of contemporarydecoration painting and two dimentional composition. the last part explore author’spersonal experience and ideas of contemporary claborate-style figure painting fromher creative work. According to the author, the formation of style is bound to beinfluenced by the cultural and artistic environment of the eras in which artists lived aslong as artists understand that they need to keep pace with the times, learn fromtraditions and absorbing essences from others, they will be able to create art workswith the cross time significance.