A Study Of Impression Liu Sanjie Of Narrative Modernity

Compared with the existing form of Liu Sanjie, as a live performance of "Impression Liu Sanjie" no story narrative, cancel "class struggle" story, andtransformed into a full of symbols "warehouse " type text. In this text, the narrativemeaning hidden in the narrative, only those symbols are selected, judging thatperceptual narrative, to find out the secret relationship between symbols, found thenarrative itself, to experience the" found" beauty and the narrative itself beautiful.Through the "Impression Liu Sanjie" text analysis is not difficult to see that,whether it is "red impression· folk songs" by narrative text selection-story ofnarrative form, namely the film fragment of Liu Sanjie the story content, as signifierrefer to the other narrative elements in the real time of composition, to display themeaning of freedom; or "green impression· home", with elements of narrativepresentation of self expression of harmony between man and nature; or "blueimpression· love songs", by narrative elements to control the composition that is thenarrative techniques to express love in return; and "silver impression· festival", byspecial narrative text form with modern lighting technology "composition" expresspure, peaceful. These narrative significance generation are inseparable from thenarrative text selection and organization. Narrative form expresses significance, butin the meantime it is meaningful."Impression Liu Sanjie" each chapter by theexpression of different themes, seemingly unrelated, but in reality is through eachchapter different prosbects together, so as to achieve the purpose of a narrativedisplaying: the ideal human life scenes.Should say, artistic narrative to its own form of reflection and innovation,showing is actually the narrative of the " Modernity" of spirit." Impression LiuSanjie" narrative of modernity mainly displays in: the ancient story of artbreakthrough, on the original story to narrative is demonstrated by the story content innovation, innovation of the forms of expression, as well as to the modernity of artagainst the modern narrative purpose of innovation. In the "Impression Liu Sanjie",the story is no longer the narrative subject, and the narrative itself is the maincharacter. The audience through the narrative itself perception, found the narrativeitself, and the people’s freedom in the filme of "Liu Sanjie"and the freedom of currentpeople to compare, put the original person and nature, person and person ’s relationswith the now carries on the contrast, the now the aesthetic concepts contrasts the past,better establish their aesthetic demand, and constantly improve themselves, so as torealize the reflection of aesthetic regression.At the same time,"Impression Liu Sanjie" spreads the regional folk art culture,but also played a role in promoting the contemporary aesthetic economy and artisticnarrative fusion. The viewer can be in on "Impression Liu Sanjie" culturalconsumption, to achieve the aesthetic discovery experience. And this aestheticdiscovery combines with the narrative form of the modern art together. But also cannot deny that, when" Impression Liu Sanjie" director who intended to use it as amodel for the promotion of cultural industries, take it from the classic culture spreadinto a culture of consumer goods, the modern narrative technique is excessive dependon, may be in aggrandizement signifier at the same time, weakening the signified,thereby losing the aesthetic value, make art into a pure commodity.