Studies In Iconoldgy Of Qlanlong Enamel Porcelain Mother And Chirld Paintings

Qianlong enamel painted porcelain mother and chirld painting is the Qianlongperiod queen’s palace enamel ceramics a theme style, the theme of the composite image,Chang Hui has the boudoir lesson sub, mother love and other topics, this kind of subjectmatter content, opened a Chinese cloisonne enamel history painting precedent, thescarcity of the world, extremely precious. This article hopes to use the image researchmethods, the Qianlong enamel ceramics mother and chirld drawing analysis, this paperdiscusses the causes of cloisonne enamel mother and chirld painting, reflects theQianlong emperor in the aesthetic interest and ideology. The core of the thesis topicsinclude three levels:(1) before the image of description;(2) image analysis; imageinterpretation;(3) the three levels of progressive layers, helps to reveal the Qianlongenamel painted porcelain mother and chirld painting form content and image meaning, toexplore the palace of art history and cultural exchange history there is positivesignificance.In the first chapter of the paper" on the Qianlong enamel ceramics relatedproblems", first of all from the archives, estimate the Qianlong enamel painted porcelainmother and chirld painting now survive should be controlled in20. And the EmperorQianlong enamel painted porcelain mother and chirld painting creation time, decay timeand performance style and other issues were discussed, draw the outline of Qianlongenamel painted porcelain mother and chirld painting picture.The second chapter" Qianlong enamel painted porcelain mother and chirld paintingbefore image will", explores the composition, color, type and technical links in threeaspects. In the composition, all types of composite drawings using triangular compositionpicture, but due to different shapes of triangle, cut in different ways. In the color,combined the color is very rich, and also used for color, the picture color is morebeautiful the theme. Among them, white, yellow, light green and red use at higherfrequencies, may be the painter or Emperor Qianlong color preference. In the technicalaspects, through the archives information we know that Qianlong enamel paintedporcelain composite painting drawing process is complex, expensive, and, the Qianlongemperor on before the painter also made bigger adjustment, efforts to create " dense","the portrait " artistic characteristics, visible Emperor Qianlong aspiring to establishwhen the unique artistic style.The third chapter" Qianlong enamel painted porcelain mother and chirld picturesof the images of analysis", discuss Qianlong enamel painted porcelain composite painting origin. In the Chinese traditional concept of composite picture, the author focuses on theHan Dynasty and the later period of the Ming Dynasty composite painting rheologicalprocess, that Qianlong enamel painted porcelain in Han loaded composite painting hasinherited the Chinese traditional composite painting tradition, underscored the culture ofConfucian ethics" Godson son " idea. In traditional western concept of composite picture,the author thinks the Qianlong enamel painted porcelain in the western cluster paintingby West has a long history of the son " parent" portraits and paintings realism familyinfluence, reflects the western world religion and family values.The fourth chapter" Qianlong enamel painted porcelain mother and chirld pictureinterpretation" is the emphases of this chapter, mainly from the table of filial piety, hopemore, reading, good novelty four levels to discuss Qianlong enamel painted porcelainmother and chirld painting symbol significance. Composite painting is the form isrelatively fixed, but contains multiple image meaning, first of all, the author thinks thatthe composite painting expresses the love theme, to cater to the Qianlong emperor as a"child" identity, composite picture, can show the Qianlong emperor of filial piety, andsymbolizes the saint Xiao empress dowager kindness compassion; secondly, Qianlongcourt spate of Prince died family misfortune, the warm and peaceful composite picturecan imply that the Qianlong a stronger in her heart; furthermore, cluster of repeatedperformance class sub image, strengthen the imperial family to Prince facts. Finally, theQianlong enamel painted porcelain in the western cluster paintings, to meet the EmperorQianlong in the western world ’s curiosity, expression of the Qianlong emperor on theunderstanding and acceptance of Western art.To sum up, this paper argues that, Qianlong enamel painted porcelain mother andchirld painting as a special period of cultural products, not only reflects the Qianlongemperor elders son thought emotion, also meet the Emperor Qianlong to Western artcuriosity and possessive desire.