On Death Writing Of Chi Zi Jian’s Works

In literary creation, death is an inexhaustible resource of narration. The thesisstudies on Chi Zijian’s literary creation from the perspective of death writing, thatdeath is not only a surface plot setting, but implies misfortune, misery and desperation.Chi Zijian puts focus on the phenomenon of daily life, integrates individuality andreality of daily life narration, to endow death with abundant connotation andsignificance in the constant writing.The thesis is divided into four chapters.The foreword is a brief introduction of the current research status of Chi Zijian’screation, and points out the integral features of Chi Zijian’s death writing and thestructure of the thesis.Chapter one mainly discusses that Chi Zijian’s thanatopsis that can keepconstancy in daily life narration; Chapter two discusses the manner of death anddescribes the death radian of each one in her works, mainly analyses from the threeaspects of being killed, suicide and natural death; Chapter three dissertates that byimagination of postmortem world, Chi Zijian portrays a colorful and fantastic world,and creates varied spirit which involve life and death worlds. Chapter four mainlydiscusses the significance of Chi Zijian’s death writing, and studies profoundconsideration in the complex humanity between human and nature, man and woman.The conclusion summarizes the value of Chi Zijian’s death writing, andcomprehend that the flow of spiritual strength of her writing, which can encouragepeople to enface death optimistic and walk every step of life actively.