Analysis Of The Theory About The Composition Form In Fine Brushwork Figure

The composition form in fine brushwork figure painting directlyaffect the artistic conception, and what first catches the eye of anappreciator when he is enjoying the picture is the composition form ofthe painting. How to deal with the composition form of a work greatlyinfluence the work itself.Through the analysis of the composition form in fine brushworkfigure painting in different periods, the rules for formal beauty areexplored in this thesis. The rules and significance of formal beauty infine brushwork figure painting are discussed, according to analysis ofthe theory about the composition form in fine brushwork figure paintingand interpretation of some pictures.This paper presents diagrams based on the composition from thesurface layer of the picture, and five parts-“brim”“position”“field”“potential”“beauty”--are subdivided from the outside to the inside.Focusing on analysis and summary of aesthetic principles throughoutthe history, we should adopt and discard the traditional views with acritical eye, combining with the multicultural feature in contemporarytime. The new aesthetics corresponding with contemporary people andformal beauty in composition with times characteristic are explored.The creation of the contemporary figure painting not only needs tostudy the essence of the tradition, but also cannot imitate the tradition.Besides, the creation must be consistent with the unique contemporaryaesthetic style and should not merely pursue individuality. The meritsand demerits of multiculture ought to be distinguished, and thedevelopment direction of fine brushwork figure painting should bespecified. In summary, the steady development of fine brushwork figure painting should be promoted by accurately grasping the aesthetic style,instead of blindly following suit.