Try To Talk About The Erhu In Dialectical Unity Between Form And Content

In the national music, as many folk instrumental music of erhu, has its own personality and particularity, it with performance is exquisite, tactful, gentle and sound good, has the unique artistic charm and artistic value. In nearly years to develop and grow, become China’s national instrumental music in a force of reckoned, in many national instrumental music to the fore. Whether playing the improvement of technical skills, the increase in the number of music, the performance of the variety of style, or music of the connotation of expression, performance, have made extraordinary, not be ignored in the results. So, for erhu, whether from the form means, technical skills, or music depth, music contents, put forward the update and higher requirements. That is:to improve and consolidating in technical skills, under the premise of integrity, thorough grasp music content, music style, complete and correct to express music connotation, the expression of the author’s thoughts and feelings, shaping the typical music image as a new period of erhu new request. In the erhu, it has as the instrument erhu unique play method and technology skills such as expression of the basic features of it, therefore, the erhu in national instrumental music unique and for Chinese characterization, personalized and lay the foundation. For example, playing vibrato, tone, and glide particularity. Through its own technology to form the special music features expression as its own personality characteristics and existing style. This paper based on the process of playing, form the grasp of the content and means of the connotation of expression of interdependence, mutual restrict relationship, through the Chinese traditional art, philosophy thinking, the application of erhu analysis of form means, the thinking in image and content of interaction between the performance and the mutual relationship.