On The Beauty Of Neutralization In The Art Of Erhu Works

Has a history of nearly a thousand years of the erhu in music history, it experienced the world cultural collision and fusion, to inherit the tradition as the prerequisite, and daring to other national music lessons learned,thr ough constant innovation, now erhu music culture development hasent ered an unprecedented period of prosperity, but also witnessed the Chinese the traditional aesthetics of the development. The art of erhu is a traditional Chinese art of the essence, the works everywhere permeated with the Chinese traditional aesthetics of music. Even today in the year twenty-first Century, whether traditional or modern Erhu art of Erhu art works are rich traditional music aesthetics aesthetic point of view.This thesis consists of the introduction, the body of the three chapter, conclusion of three parts. The foreword mainly elaborated the purpose and significance of topics. The text is composed of three chapters, the first chapter is mainly on the "beauty of neutralization" music thought formation overview, and origin and their dialectical relationship between analysis, especially in the third quarter mentioned with dialectical perspective of neutralization thought". The second chapter is the key part of this paper, divided into three sections, the first section discusses the development and achievement of Erhu shapes from ancient times to the present. In the second section, the author discusses the art of Erhu performance embodied in the " beauty of neutralization", namely, put forward "the technology and the environment, neutralization" and from specific training techniques, erhu works in the genre structure, artistic expression of the neutralization thought research. The third section discusses the beauty of neutralization on the erhu art inspiration, this section the author mainly from the traditional art and modern art in the comparison, either composer or performer to dialectical view of "beauty of neutralization". The third chapter mainly discusses" on the Great Wall" the concerto is embodied in the thought of harmoniousness and future development direction.The national traditional music aesthetics theory research literature too many to count, and has a certain depth, but the traditional music aesthetics and the art of Erhu performance combined article comparatively rare. This article through to the art of Erhu performance as well as in the works reflect the neutralization thought elaboration, for players to better understand the works, derivative works, deep expression works ideological, emotional, content is very important.