The Analysis About The Language Of Imagist Expressionist Painting Under The Value Of Chinese-western Cultural Blending And Creation

On the premise of the blending about chinese and western cultures in20s century, the languages about chinese and western panting also got a exchange. This development tide is not only a challenge for traditional chinese painting, but also a very good opportunity. In the history of both two kind pantings, all the artists tried to adapt the development with the times and tried to absorb the whole essence of painting about other nations in different and all-round ways. What’s more, Under the fundamental common idea about painting, both chinese and western artists made great efforts to form own artistic sprit beyond the painting skills. After entered into the21st century, chinese painting paid more attention to the style’s exploration in localization. Therefore, with the chinese-western cultural conflicts, the painting artists learned from each other and created a new appearance for the prosperity and development about the world painting art.The blending and creation of chinese-western arts won’t eliminate difference about the two cultures. Rather, it is the fresh bud which grew in the chinese national cultural soil after the better understanding about the western culture. Now with the conflicts about two different paintings, just like other painting forms, the imagist expressionist painting based on the chinese traditional culture is a creation and blending under the aesthetic interests of the western and chinese culture. Thus, this kind oil painting blends of the oriental artistic traditional conception. In this kind of works, what we see will become a mind’s intricate thoughts, which it expresses is the painter’s life experience and his internal mental. This kind painting presents the new constructing unique aesthetic connotation about chinese painting and the new form in painting art.